sobota, 29 stycznia 2011
Michael Pisaro (born 1961 in Buffalo, New York) is a guitarist and composer. A member of the Wandelweiser Composers Ensemble, he has composed over 80 works for a great variety of instrumental combinations, including several pieces for variable instrumentation. A particularly large category of his works are solo works, notably a series of 36 pieces (grouped into 6 longer works) for the three-year, 156-concert series organized by Carlo Inderhees at the Zionskirche in Berlin-Mitte from 1997-1999. Another solo piece, pi (1-2594), was performed in installments by the composer on 15 selected days in February 1999, in Evanston, Illinois, and in Düsseldorf in 2000-2001.
His work is frequently performed in the U.S. and in Europe, in music festivals and in many smaller venues. It has been selected twice by the ISCM jury for performance at World Music Days festivals (Copenhagen,1996; Manchester, 1998) and has also been part of festivals in Hong Kong (ICMC, 1998), Vienna (Wien Modern,1997), Aspen (1991) and Chicago (New Music Chicago, 1990, 1991). He has had extended composer residencies in Germany (Künstlerhof Schreyahn), Switzerland (Forumclaque/Baden), Israel (Miskenot Sha'ananmim), Greece (EarTalk) and in the U.S. (Birch Creek Music Festival/Wisconsin). Concert length portraits of his music have been given in Munich, Jerusalem, Los Angeles, Vienna, Brussels, Curitiba (Brazil), Berlin, Chicago, Düsseldorf, Zürich, Cologne, Aarau and elsewhere.
Most of his music of the last several years is published by Edition Wandelweiser (Germany). Two CDs of his work have been released by Edition Wandelweiser Records. He has performed many of his own works and those of close associates Antoine Beuger, Kunsu Shim, Jürg Frey and Manfred Werder, as well as works from the experimental tradition, especially John Cage, Christian Wolff, Robert Ashley and George Brecht.
Before joining the composition faculty at the California Institute of the Arts (where he is located presently), he taught music composition and theory at Northwestern University from 1986 to 2000.
In 2006 he was awarded a grant from the Foundation for Contemporary Arts Grants to Artists Award.
With such a biography I approached Michael's cd from the might label of Another Timbre with great attention trying to regain my inner feelings to the piano albums I have had over the years which always have been a sort of apple in my eye as for improvised music. The magnitude of effort and energy put into composing process is so dense here that I really don't have words for that.
especially "Fields have ears 4" is a crumbling device of Pisaro's work. My favourite though is "Fields have ears 1" consisiting of thoroughly elaborated piano/tape piece.
...the sensual...the attentive...the perfect.