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Interview with Dodó Kis

  1. To begin a musical path is often to go through stages of different changes to embellish, eliminate and formulate anew your own definition of it? How did it start for you? And what where the stops on the way? Yes, I had different chapters of challenges throughout the years. As a child, I played different instruments and my teachers really wanted to push me to pursue an instrument with which I can make a career. (in Hungary music education is taken very seriously, almost competitively). Nonetheless I stuck to the recorder because my recorder teacher was the one who had an open minded approach to music and arts, and he introduced me to the avant-garde, contemporary music and different compositional and improvisational techniques and styles.  Later, when I was studying at the Conservatory of Amsterdam the challenges shifted around the “politics” within the music industry. I started to find a deeper connection with music-theater makers, people who believe in interdisciplinary ways of c

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