środa, 23 marca 2011
Looper lines up of Nikos Veliotis, Martin Kuechen and Ingar Zach, people who are very much experienced as improvisers - this is why I always expect more. Droney soundtrack which bears an imprint of a conscious composition, timid and rigid, never on a strain of something outbursting and splashy. Great thing about this music is the mastery of the means - the instruments which give plenty of space for communication between the musicians as well as giving the lasting proof of their ingenious concept.I haven't heard such a well composed album in couple of months - brings best out of it.
piątek, 11 marca 2011
#2 surface of details
#4 the plains
#5 tro 3
#6 tro 4
#7 tro 5
#8 tro 7
#14 counter furioso
#17 birds for z
Born in Wuppertal, he studied sculpture at the academy of fine arts in Stuttgart and at the same time classical doublebass with Reinald Schwarz, soloist of Stuttgart Philharmonics. Having encountered experimental music in his youth, beside classical playing he soon ventured into free improvisation as well as working with graphic notations in the ensemble of composer Klaus Fessmann, who holds a professorship at Salzburg Mozarteum. After having met Günter Christmann in the early 90s, who became a close friend over the years, a grant offered the possibility to go to London, where he finally was able to explode into a most intense period of sessions, collaborations, concerts and recording sessions, this all with help by John Russell, Chris Burn and John Butcher. Back in Stuttgart he was asked to teach experimental music at the academy of fine arts Stuttgart, which he did for a period of ten years and which led him to extended sound and performance explorations in collaboration with his students. He continued to organize the festival concepts of doing – Interaktion Tanz Musik (1992 – 2003) and, after an intense trip through many european countries meeting dancers for free improvisations and an invitation to the 5th Composers Choreographers Exchange (Southbank Center London), he was co-founding the production center for dance and performance Stuttgart. Being the head of this association for three years and after the festival of concepts of doing 2003, he pushed these structures aside for regaining breath and new freedom and inner engagement in life and arts. At the same time this moment was accompanied by his last days in ensemble zeitkratzer, which he was member of since its beginning in 1997 (performances of famous MMM by and with Lou Reed as well as music by alva noto, Merzbow, Lee Ronaldo, Elliott Sharp, DJ’s a.o.).
2005 saw him establishing himself in a space in Berlin to seek new projects. Since then he has recorded three cds, created the music for the experimental film „Lupinen löschen“ by Sabine Schöbel, which was shown at the Berlinale 2007, and started to work with analog electronics on the acoustic double bass as well as on an electric one, introducing this to his collaborations with dance.
He played in groups... trio with Jim Denley and Steve Noble; duo with Phil Durrant (cd); quintet with Evan Parker, Phil Wachsman, Thomas Lehn, Roger Turner; duo with Günter Christmann (cd); „Ein Quartett“ with Bieler-Wendt, Kolkowski, Zimmerlin; trio with Chris Burn and Axel Dörner.
Projects with Günter Christmann: Sextett Vario 34 (cd) und „con moto“ (music, dance, sound poetry, film) with David Zambrano, Urs Leimgruber, Fine Kwiatkofski, Elke Schipper (dvd).
Concerts with... Paul Lovens, John Butcher, Phil Minton, Derek Bailey, Sven-Ake Johannson, David Moss, John Russell, Johannes Bauer, LeQuan Ninh, Dietmar Diesner, LaDonna Smith, Malcolm Goldstein, Fred Frith, Vinko Globokar, Barry Guy, Torsten Müller, Carlos Zingaro, Fred van Hove, Urs Leimgruber, Mats Gustafsson, Dorothea Schürch, Herb Robertson, Alberto Braida, Michael Griener, Yumiko Tanaka a.o.
Intense work with dancers in diverse performing and rehearsing situations.
Collaborations with Julyen Hamilton, Vera Mantero, Benoit Lachambre, Ingo Reulecke, Josè Luis Sultàn, Mark Tompkins, Junko Wada, Fine Kwiatkofski, Regina Baumgart, David Zambrano, Sasha Waltz, Katie Duck, Joachim Schlömer, Thomas McManus, Nigel Charnock, Xavier Le Roy, Frans Poelstra, Virpi Pakhinen, Russell Maliphant, Anzu Furukawa, Pal Frenak, Anna Huber, Andreas Müller, Astrid Endruweit, Jennifer Lacey, Lin Yuang Shang.
concepts of doing. Between 1992 and 2003 he organized the festival „concepts of doing – Interaktion Tanz Musik“ which became an important european plattform for the exchange of the arts inviting many notable artists for free collaborations during 4 days. (Please see: www.concepts-of-doing.de). cd: „screen. Festival concepts of doing 1999“ mit Yoshihide, Turner, Leimgruber, Schürch, Parkins, Newton, Frangenheim.
Critics: „mikrotonale Edelsteine“ (Markus Müller, Jazzthetik), „deliciously subversive“ (Cadence), „music straight from the dynamo“ (The Wire), „Frangenheim uses extended string techniques Gidon Cremer supplied for Luigi Nono“ (The Wire).
Lives in Berlin since 2005. In preparation for creative space for 2009, which will allow him to continue his work with dance and other media.
Projects: trio with Chris Burn and Axel Dörner; quartet with Thomas Lehn, Le Quan Ninh, Frederic Blondy; duo with Günter Christmann /as well as other formations; trio with Floros Floridis and Ray Kaczynski; cds in prep: quartet with Moss/Bauer/Tanaka, quartet with Turner/Wachsman/Pat Thomas. performance project „streugut“ together with Clausen, Reulecke, Rudstrom, Simon.
"The knife again" is a compilation for solo bass improvisations. What took me by surprise was that the musical matter here is less sonorous and more linear, close to the thinking that anything what we play can have a structure to it and be less derivative. I got a feeling at first that Alexander made one of the albums that we can easily categorize as "classic" free-improvised. But the material bears many surprises.
niedziela, 6 marca 2011
Bonnie Jones- electronics
Bhob Rainey - soprano saxophone
Chris Cogburn - percussion
Label: Another Timbre at35
Now here's a good editior's choice. I have been listenint go this album on and and on since Simon has sent it to me and the sign that I can do it continually has given me a hint that there's something I miss with great many of the improvised music albums which is a slow shift into the composition area.
I am always up to listen what Bhob has to say and it gave a great pleasure to find out that good ol' Bhob is here to stay. He embellishes and crafts his input in a master's manner. Strangely enough I got a feeling that driven by the collaborative and cooperative spirit he puts himself a bit aside giving the place to Chris and Bonnie. Well I really feel this is how it should be when it comes to stting up the roles in the drama. I will definitely come back to this cd on and on.
Yoni Silver started his music studies with violin, then piano, and later moved on to alto sax, bass clarinet, and composition studies with prof. Yitzhak Sadaï. As an improv/noise musician he straddles the line between "total" freedom and one contained within loosely pre-determined structures. Also performs solo works incorporating acoustic instruments in combination with DIY controllers for computer manipulation, spread out on stage in the form of buttons, levers, boxes etc. (and a four-teated camel).
Has also composed and arranged music for theatre, film, art installations etc.
"Peep Holes" is his first solo release.
The album has a great approach to one particular subject in music which is silence. He uses wide array of subtle techniques to evoke as much as possible with the thoroughly specified output. It appeals to me very much of it as you need to master both composition and improvisation to get through it as well as the technique.
Perfect listen for a bright sunny Sunday Morning. Thank You Ernesto!