Dürer’s Mother by Marek Pospieszalski
Marek Pospieszalski is quite an interesting character on the scene of , modern Polish jazz. I shouldn't be writing this and classify his body of work in this way as his output is way more beyond such classifications - his hard work and dedication definitely place him on the pedestal of modern composition intertwined with improvisation.
Yet his newest, up-to-date album takes us even further away.
Seven long compositions which refer to classic composers such as Schubert, Britten and Lachenmann, take the listener to a completely different territory.
It's not a Terra Nullis - it is not a void but a full immersion into a world of colour, hues, undertones, nuances and subtleties that are quite rare in this field. It owes definitely a huge debt to both eloquence and elegance of Marek and his saxophone as a bandleader but also how he interacts with other members of the ensemble. They masterfully craft themes full of poetic melancholy and thoughtfulness as well as something more than just a one-off experiment - it is a very clear and transparent vision worked through a reflective effort.
In any other context they would excel and use those values to be even more flexible, even more creative - here we have a standing proof and evidence of discipline and collaborative spirit that is a rare sighting these days. Definitely an album to listen to a few times...
released October 1, 2022
Marek Pospieszalski tenor saxophone
Elias Stemeseder piano
Max Mucha double bass
Max Andrzejewski drums
All compositions by Marek Pospieszalski
Recorded by Lukas Kowalski at Emil Berliner Studios, May 2019 | Mixed and mastered by Jeremy Loucas
Produced by Marek Pospieszalski | Executive production by Pedro Costa for Trem Azul | Photo by Michal Chmielewski | Design by Travassos
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